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“Truth is, since a youth kid, thought it was a phase / Thought it be like the phrase ‘poof,’ gone / But, it’s still going on,” he raps on the song. “Next line will have them like woah / I’ve been kissing white boys since 2004,” he raps on “I Ain’t Got Time.” He drops more hints on the song “Garden Shed,” using extended metaphors over his own moving production to increase the weight of his words. Many of those words touch on Tyler’s sexuality, with several of the lyrics suggesting he’s ready (or has been ready) to come out of the closet. It’s easily his most personal album yet, seeing Tyler minimizing the hard-hitting bangers and maximizing the content in his verses. He’ll have some new material for his ravenous fans when the festival returns to Exposition Park this October, as his new album Flower Boy has finally arrived after much anticipation. He’s made savvy business moves in the music industry as well, of course his Camp Flog Gnaw Carnival is one of the signature hip-hop events of the year, drawing top shelf headliners and spotlighting fresh new talent. One can give Tyler, The Creator a lot of credit for growing his brand beyond the music as traditional albums become less lucrative by the minute, branching out into fashion and television has allowed Tyler to help shape the culture the way only he can.
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Tyler, The Creator gets personal on his new album